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Universal will be opening Amblin’s The Fabelmans on Wednesday, Nov. 23, the day before Thanksgiving. The Steven Spielberg directed movie, loosely based on his childhood, will receive a wide theatrical release. The Fabelmans stars Michelle Williams, Seth Rogen, Paul Dano and Gabriel LaBelle. Steven Spielberg co-wrote the screenplay alongside Tony Kushner. Spielberg, Kushner and Kristie Macosko Krieger
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Sony/Marvel’s Spider-Man: No Way Home is activating mega presales in international box office markets. Due to begin offshore rollout on December 15, just ahead of domestic’s December 17 debut, the Jon Watts-directed installment has set all-time records in multiple markets for the first 24 hours, and has caused some ticketing websites to crash. We’ve heard tell
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Neon and Participant opened animated documentary Flee to a $25,033 debut in four locations. That makes for a strong per-theater average of $6,258 ahead of a rollout early next year for the much-decorated Danish film ahead of Academy Award nominations Feb. 8. It’s one of a few rather particular offerings, including Drive My Car, that
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Refresh for latest..: We’re in a sort of holding pattern at the international box office, as big year-end titles are still in the wings. This weekend was all about holdover business — and some further market launches on major pics already in release elsewhere. Last frame’s debut, Disney’s Encanto, leads the session again for the
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After having been cleared by authorities in late November for an eventual China release, the market has now given Warner Bros/Village Roadshow’s highly-anticipated The Matrix Resurrections an official date — on January 14, 2022. The Keanu Reeves-starrer begins early offshore rollout December 16 with domestic and the majority of international markets starting December 22 and
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As is typical, the weekend following the Thanksgiving stretch is a downer, and even duly so over Omicron headlines, coupled with a Disney animated movie that isn’t as mass-appealing as its predecessors, read Encanto which is looking at a $13M estimated second weekend, -52%. That second weekend estimate is lower than the pre-pandemic second weekend takes
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The arthouse is awash with well reviewed new offerings from Danish animated doc Flee to Paulo Sorrentino’s Hand of God to IFC’s Benedetta heading into awards season and amid a paucity of new wide releases. The first weekend of December following the five-day Thanksgiving frame is notoriously slow at the box office, but also a
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While some in the industry are still trying to blame a lackluster box office on the pandemic, think again: Sony’s Spider-Man: No Way Home in its first day of pre-sales yesterday on Fandango already beat that of 2019’s Avengers: Endgame; that movie ultimately turning into the biggest domestic opening of all-time with $357.1M. In addition, the presales for Spider-Man:
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EXCLUSIVE: Pierre Morel-directed action movie Al Kameen (The Ambush) has logged the biggest opening weekend ever for any Emirati or Arabic-language film in the UAE. The movie, which is a co-production between AGC International and Image Nation Abu Dhabi, scored 170,000 cinema admissions between November 25 and November 29, making it the fifth largest opening this year
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The first episode of Marvel’s Hawkeye on Disney+ drew 1.5M U.S. households over the Wednesday-Sunday holiday stretch, while 1.3M stuck around and watched the second episode. This is according to the latest streaming viewership stats from Samba TV which measures 3M U.S. households, and what they watch on streaming over a five-minute increment. That first episode number
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UPDATE: Notably on the menu this weekend overseas were new openers Disney’s Encanto and MGM/Universal’s House Of Gucci. The former came in lower than hoped at the international box office, with $29.3M in 47 material markets, though it did make the low end of its global projection at $69.6M (including domestic‘s 5-day frame). The Disney
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SUNDAY AM UPDATE: Without Paramount’s Top Gun: Maverick in the marketplace, the Thanksgiving box office was much lighter than previous holidays, grossing an estimated $141.3M over 5-days, off 46% from 2019’s pre-pandemic holiday over the same period of time. Two family movies, Disney’s animated Encanto, which banked 52% of its $40.3M 5-day gross from Latino and Hispanic
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Remember when New York and Los Angeles use to post big figures for the opening of a specialty film at the box office? Well, those days look to be coming back. United Artist Releasing’s MGM Paul Thomas Anderson’s 1970s teen comedy Licorice Pizza posted a huge $83,8K opening screen average from four theaters, which the
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In a benchmark that was to be expected, Warner Bros./Legendary’s feature adaptation of Frank Herbert’s Dune has clocked past $100 million at the domestic box office. This brings the global running total to north of $370M; the ultimate exclamation point here for the Denis Villeneuve directed movie being $400M WW. Dune made $400K on Thanksgiving yesterday sending its domestic
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Warner Bros/Village Roadshow’s highly anticipated The Matrix Resurrections has been cleared for release in China, however an exact date is yet to be fixed. Warner’s official Weibo account posted the news, saying the film “is confirmed to be introduced, and it will be released in theaters nationwide soon!” The fourth Matrix installment, both a reboot
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Already the top film of 2021 globally, Chinese war epic The Battle At Lake Changjin is taking over the title of highest grossing movie ever in China, edging the previous leader, 2017’s Wolf Warrior 2. Through Wednesday evening local time, Lake Changjin had reached an estimated RMB 5.693B ($890M) after 56 days in release. Wolf
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Disney’s animated movie Encanto received a $1.5 million start Tuesday off showtimes starting at 6 p.m., as the pic opens today in 3,980 theaters. The movie, which features a soundtrack from Emmy-, Grammy- and Tony-winning Lin-Manuel Miranda, is expected to make $35M-$40M over the next five days. So far, Encanto is 94% fresh on Rotten Tomatoes off 67
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EXCLUSIVE: By this weekend, Warner Bros/Legendary’s Dune will cross $100M, making it the second movie from the studio this year to clear the century mark stateside off their controversial day-and-date theatrical HBO Max pandemic strategy. But with the Denis Villeneuve-directed adaptation of the Frank Herbert exclusively available in theaters now in its second month of release, sans
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Through its first ten days on Netflix, the Dwayne Johnson-Gal Gadot-Ryan Reynolds $200M action heist movie Red Notice is already the streamer’s second most watched movie of all time with 277.9M hours clocked. The Rawson Marshall Thurber directed title is honing in on being the streamer’s most-watched-movie-of-all-time, that currently being the Sandra Bullock thriller Bird
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Disney will continue to embrace the theatrical window over the Thanksgiving stretch with the Jared Bush/Byron Howard/Charise Castro Smith-directed Colombia-set animated musical Encanto which is looking to hook families with a $35M-$40M five-day domestic start and another $35M+ overseas as the movie debuts day-and-date in all offshore territories except China, Australia, New Zealand, Philippines and Vietnam.
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While Samba TV reported today that 707K U.S. households watched the Will Smith drama King Richard over the weekend, an even more interesting detail was how HBO Max subscribers tuned in: The OTT service tells us that a majority of subs watched the biopic about Serena and Venus Williams’ coach father from start-to-finish without pausing. Translation, King
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EXCLUSIVE: The highest grossing movie during the pandemic, MGM/United Artists Releasing’s No Time to Die was also the most pirated movie for the period of November 15-21. In addition, the most ripped TV season over the last week was Amazon’s adaptation of the Robert Jordan fantasy novel The Wheel of Time. All of this information
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Refresh for latest…: There was a lot of holdover play this session overseas with one new Hollywood addition in Sony’s Ghostbusters: Afterlife which came in essentially on par with pre-weekend offshore projections at $16M in 31 international box office markets. However, with domestic’s overperformance, the Jason Reitman-directed sequel trapped a better-than-expected $60M global opening. In
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C’mon C’mon from A24 turned in the best per-screen average for a limited platform release since Covid at five theater in New York and LA as stellar critical response was met by strong exit polls ahead of a wider rollout into top markets over Thanksgiving and continued expansion thereafter. The Mike Mills’ awards contender led
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