Primetime, the new A24 film from Lance Oppenheim chronicling Chris Hansen’s infamous 2000s TV program To Catch a Predator, hits theaters today (September 25). Robert Pattinson portrays Hansen, with Merritt Wever, Skyler Gisondo, and Phoebe Bridgers co-starring. As it turns out, Bridgers recorded a new song for the movie as part of its soundtrack, too.
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By 13, he’d begun smoking weed, and six years later, he had his first taste of heroin. As the ’80s turned to the ’90s, it was a full-blown addiction. Around the same time, he met Love, a woman with her own admitted set of troubles. (For the record, she seemingly responded to the report surrounding
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Days of Our Lives loves repeating itself, but this time it’s ridiculous. Days of Our Lives spoilers for the week of 9-28-26 have all the veterans accidentally getting high on pot donuts—including Julie, who already made this mistake in 2013. This silly storyline distracts from more interesting things, and it isn’t even original. (Peacock/Screenshot) The
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Taylor Swift has released “Patient Zero” and three additional songs as part of The Life of a Showgirl: The Encore. Listen to that song along with “Cleveland!,” “Pink Clouding,” and “Babylon” below. A “Patient Zero” video is also on the way, but fans will have to wait to see the whole thing—which stars Swift, Colin
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A diverse group of new releases join an indie weekend teetering on awards season kickoff at the close of a pretty momentous week for the industry. New in theaters, Sony Pictures Classics Ha-Chan, Shake Your Booty! and Mahershala Ali’s TIFF-premiering Your Mother Your Mother Your Mother, along with stories about a New York location scout
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Few major artists are willing (dumb enough?) to criticize recent Cleveland devotee Taylor Swift in public, lest they incur the cursed wrath of her loyal fan base (or the pop star herself). However, Todd Rundgren, secure in his status as one of the last great rock curmudgeons, has absolutely nothing to lose. The singer-songwriter-producer recently
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I never expected Primetime to be a glowing portrayal of Chris Hansen. I went into it assuming it would show why hosting and being one of the creative forces behind a television show about catching pedophiles was, at best, morally complicated and at worst, creepy, exploitative and dangerous. Nothing about him or the show deserves
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