Film News

Refresh for latest…: MGM/Eon/Universal’s No Time To Die has sped the Aston Martin past the $300M global mark, coming off of an $89.54M sophomore frame at the international box office. That lifts James Bond 25’s overseas cume to $257.27M and, including domestic’s start this session, brings the worldwide total to $313.3M. The overall drop from
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United Artist Releasing/MGM/Eon’s No Time to Die clocked $6.3M from Thursday previews which began at 4PM, making it the best Bond domestic preview number ever, 19% ahead of Spectre‘s $5.25M six years ago. The figure also exceeds the preview nights of previous 007 Daniel Craig movies Skyfall ($4.6M off midnight shows) and Quantum of Solace ($2.5M off 8PM showtimes0. While No Time to
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The Rescue, an arresting truth-is-stranger-than fiction story of a Thai youth soccer team trapped in a remote flooded cave system opens on five screens in NY/LA/Chicago this weekend in a specialty market waiting “for audiences to wake up and see that they’re missing out,” according to Ed Arentz, co-president of the doc’s distributor Greenwich Entertainment.
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No Time To Die marks the end of Daniel Craig’s time as James Bond, and it’s a finale fitting of his incredible five-film arc, or at least we think so. Watch CinemaBlend’s Sean O’Connell break down what happens in the sure-to-be-controversial end of No Time To Die and explain why he thinks it works as
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Most Hollywood stars will tell viewers there’s more technicality involved in doing love scenes, rather than them simply being sensual and romantic moments. Sometimes those love scenes can get complicated when there’s an attraction between co-stars, and the attraction can be one-sided in some cases. That is what happened with Jake Gyllenhaal while shooting The
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To quote Daniel Craig in the latest No Time to Die Heineken commercial, the domestic box office opening and further offshore rollout of the 25th 007 title is poised to be “Well worth the wait.” All in, the upcoming global weekend of No Time to Die is expected to be at $150 million. Broken down, that’s another $90
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Sony’s Venom: Let There Be Carnage has feasibly crossed $100M in five days, joining Disney/Marvel’s Shang-Chi and the Legend of Ten Rings as the fastest titles to do so at the pandemic domestic box office. Both titles are on a theatrical window exceeding 45 days. It should be noted that while Shang-Chi propelled past the century mark off Labor Day Monday, Venom
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After an 18 month release date delay due to the pandemic, the anticipation for MGM/EON/United Artist Releasing’s 25th James Bond movie, No Time to Die, is no doubt huge: Fandango is reporting that the advance ticket sales for Daniel Craig’s swan song as 007 are already outstripping Universal’s F9 and Sony’s Venom: Let There Be Carnage, and it’s
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Along with being one of Hollywood’s most popular actors, Dwayne “The Rock” Johnson has proven on numerous occasions that he’s simply a nice guy, which includes repeatedly showing appreciation for his fans. He’s most recently demonstrated this by singing “Happy Birthday” to who might be his oldest fan, a 102-year-old grandma. Ok, that’s weird, I’m
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Focus Features has set a moderate release for The Outfit on Feb. 25, 2022. The pic reps Oscar winner Graham Moore’s directorial debut, and follows Leonard, played by Oscar winner Mark Rylance, an English tailor who used to craft suits on London’s world-famous Savile Row. But after a personal tragedy, he’s ended up in Chicago, operating a
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What does the international box office and cinema landscape look like in an emerging post-pandemic world? That was the gist of an executive roundtable at CineEurope in Barcelona today. Among the key takeaways: the relationship between exhibition and distribution and a need for more collaboration in terms of reaching consumers. With so much content available
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CinemaBlend participates in affiliate programs with various companies. We may earn a commission when you click on or make purchases via links. Almost three years have passed since Robert Rodriguez and James Cameron combined forces to deliver Alita: Battle Angel to the world. With filmmaker and fan alike still keeping sequel hopes alive for the
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When it comes to WarnerMedia’s theatrical-day-date HBO Max fare, we’ve often written that whatever pales at the cinemas also sours on the service. That was not the case this weekend with the The Sopranos prequel feature The Many Saints of Newark.  Even though The Many Saints of Newark wasn’t so hot at the box office with a $5M opening, the
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