Film News

The highly anticipated and Covid-delayed release of Indian action film RRR opened with a bang as distributor Sarigami Cinemas said it’s grossed $4.5 million including late night and early morning shows and anticipated a $12-$15 million weekend. Read Deadline review here. That would be the biggest Thursday ever for an Indian film Stateside with 947 locations
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A24’s smart slasher/horror X grossed over $4.4M on 2,865 screens to take fourth place at the weekend box office, topping expectations for writer/director Ti West’s return after a six-year absence from film. His first ever wide release, a cross between the Texas Chainsaw Massacre and Boogie Nights, is currently Certified Fresh at 96% and has a prequel nearly
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A trio of studio movies has received China release date confirmations for next month, including new films Ambulance and The Bad Guys, as well as last summer’s Escape Room: Tournament Of Champions. Universal’s Michael Bay-directed Ambulance, which began early offshore rollout last weekend and bows domestically on April 8, is now dated for April 22
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Alamo Drafthouse Cinema has tapped Heather Morgan for the newly created post of Chief of Staff & Strategy, reporting to CEO Shelli Taylor and charged with “designing and executing key strategic programs to drive the organization forward.” Morgan was most recently VP of Content and Programming at Harkins Theatres and was previously VP of Studio
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The first big studio wide release in three weeks, Paramount’s The Lost City, kicked off at 3,400 theaters yesterday at 4PM for a $2.5M take. I understand that number doesn’t include any of the previous weekend Fandango previews or those at the AMC earlier in the week. The movie is expected to hit $25M, but
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A24’s SXSW opener Everything Everywhere All At Once, Bleecker Street’s Infinite Storm and Sony Pictures Classics’ Mothering Sunday offer something that’s been rare of late at the specialty box office, fresh content and choice. They’re in a market with only one new studio wide release, Paramount’s The Lost City with Channing Tatum and Sandra Bullock.
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Editor’s note: Mooky Greidinger is CEO of the world’s second-largest exhibitor, Cineworld, which also owns Regal in the U.S. A staunch supporter of the theatrical experience, Greidinger grew up in the industry and is avowedly passionate about the movie business. But as Oscars weekend arrives, he is confounded by the Academy of Motion Picture Arts
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The recent surge in 007 odds has seen The Saint’s Regé-Jean Page taking the top spot once more. With the most recent pack of contenders looking pretty familiar, there isn’t a ton of shockers in the data pointing towards Daniel Craig’s would-be successor in the history of James Bond movies. That is, unless you happen
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Dune is easily one of the most impressive cinematic spectacles of 2021. The Academy clearly agrees, having awarded the film with 10 nominations, including one in every single technical category, and most importantly in Best Picture. When big budget sci-fi epics receive that kind of attention, they almost never leave the ceremony empty handed. Or,
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The Power of the Dog surpassed nearly everyone’s expectations on Oscar nomination morning, becoming the most nominated film since 2017’s The Shape of Water with 12 nods overall. So the question is, how many of those nominations can it win? Near Guarantees Netflix may finally have their first Best Picture winner in Jane Campion’s patient,
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Given the ongoing pandemic with regard to global box office, it’s tempting to say “The more things change, the more things stay the same.” To wit: Disney still leads all studios worldwide, piracy remains a major concern, and many markets are still in Covid-induced flux. But when looking back over 2021 versus 2020, there are
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