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Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
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In an encouraging sign for specialized product, Sony/3000 Pictures/Hello Sunshine’s Where the Crawdads Sing has crossed the $100 million benchmark globally. Getting there on Tuesday, the feature adaptation of the Delia Owens novel sits at $78.8M domestic and $21.5M from the international box office. Crawdads initially released domestically in mid-July with $17M; a good win
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EXCLUSIVE: Start spreading the news! A new musical loosely based on Martin Scorsese’s 1977 film New York, New York will begin performances on Broadway, theater to be announced, in March 2023. Opening night will be in April, with Tony and Olivier Award winner Susan Stroman on board to direct and choreograph. The show — of
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EXCLUSIVE: Deadline has learned that Warner Bros is making a slew of release-date changes next year. First of all, James Wan’s Aquaman and the Lost Kingdom needs more time in postproduction, so it’s moving from March 17, 2023 to December 25, 2023. You’ll remember the first Aquaman was released during Christmas 2018 and made $335.1 million domestic
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EXCLUSIVE: We hear that four holiday movies have received HBO Max release dates as of Wednesday: Legendary’s Christmas Story sequel, A Christmas Story Christmas for November 17 this year, and three yuletide titles from ESX Entertainment: Holiday Harmony and A Christmas Mystery both on November 24 and A Hollywood Christmas on December 1. A Christmas Story Christmas from director Clay
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It looks like Peacock needs to juice its paid subscriptions some more. Universal/Blumhouse/Miramax’s Halloween Ends, which is already set for theatrical release on October 14, will also debut on NBUniversal’s Peacock streaming service day-and-date. This is a similar practice to what happened with the previous installment of the revived Jamie Lee Curtis horror franchise, Halloween Kills, last
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In response to recent speculation, Cineworld has provided an update to its August 17 announcement regarding an evaluation of strategic options to both obtain additional liquidity and potentially restructure its balance sheet through a comprehensive deleveraging transaction. Reiterating that Cineworld’s theaters, including the Regal chain in the U.S., are “open for business as usual and
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With no new wide Hollywood tentpole releases until October, we’re in a period of holdovers, and local titles excelling in their home markets (and beyond), while Top Gun: Maverick continues to soar and there’s a will it or won’t it question mark over Jurassic World Dominion‘s shot at getting to $1B global. Overall, it was
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Continuing its hypersonic run, Paramount/Skydance’s Top Gun: Maverick has, in its 13th weekend of release, crossed the $1.4B mark worldwide, lifting the cume to a touch over $1.403B through today. When using restated international box office numbers, this would qualify the sequel as the 9th highest-grossing movie ever worldwide (currency exchanges are in massive flux
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Cineworld,, staggering under heavy debt and facing a dip in box office revenue this quarter, asserted Friday that it’s business as usual for the giant movie chain while it explores options. The statement follows a report today that the U.K parent of Regal Cinemas is preparing to file for bankruptcy. Cineworld presaged a potential Chapter 11
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Universal/Illumination’s Minions: The Rise of Gru bowed in China today (Friday), grossing an estimated RMB 21.74M ($3.2M), including midnights. This was good for the biggest opening day of a Hollywood animated film during the pandemic. Overall, and not including China’s Friday, Rise of Gru has grossed $461.2M at the international box office for $807.7M worldwide.
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We hearing from industry sources that Crunchyroll’s sequel, Dragon Ball Super: Super Hero, notched an estimated $4M in Thursday night previews, trouncing Universal’s Idris Elba lion movie, Beast, which did $925K at 2,900 theaters. Both began previews at 5PM last night. Crunchyroll is sending out an official update tomorrow. Super Hero‘s start last night has a shot at
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Tony winner Jesse Tyler Ferguson and nominee Jesse Williams are suiting up again as stars of the baseball-themed Take Me Out, which is set to return to Broadway in the fall. The hit revival will re-take the field October 27 at the Schoenfeld Theatre for 14 weeks, it was revealed today. Written by Richard Greenberg and
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Cineworld, the globe’s second largest exhibitor, today provided an update on its current trading, liquidity position and capital structure. The company, which also owns Regal in the U.S., said it is in “active discussions with various stakeholders and is evaluating various strategic options to both obtain additional liquidity and potentially restructure its balance sheet through
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EXCLUSIVE: Magnolia Pictures has snapped up domestic rights to Hunt, the feature directorial from Squid Game Emmy nominated star Lee Jung-jae, which made its world premiere at this year’s Cannes Film Festival in the Midnight section. Magnolia Pictures plans a December theatrical release. A stylish espionage action film set in the 1980s, Hunt follows two agents in Korean
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EXCLUSIVE: Two months into their run as Warner Bros Pictures Group Co-Chairs and CEOs, Michael De Luca and Pamela Abdy, have hammered out a multi-year deal to handle the international distribution of MGM’s theatrical titles, commencing with Luca Guadagnino’s Bones and All in November and continuing with the 2023 slate and beyond; the second title under
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Sony’s Bullet Train was the global and international box office leader for the studios during its sophomore frame with an added $17M from 61 overseas markets for an offshore cume of $60M and global riding the rails past $100M for $114.5M through Sunday. The international holdover markets dropped 40%; word of mouth is good and
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