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Refresh for latest…: Warner Bros/Village Roadshow/Heyday Films’ Wonka continues its sweet run, crossing the $500M mark globally this weekend. The worldwide cume through Sunday is $505.3M including $329.1M from the international box office and with Korea, which has a fondness for Hollywood musicals, still to release at the end of the month. The Timothée Chalamet-starrer
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Toho International’s sleeper hit Godzilla Minus One grossed an estimated $853k this weekend for a cume of $50.9 million at 605 locations in week seven as arctic blasts buffet much of the nation. The film about the giant reptilian monster passed the $50 million market Saturday, becoming the highest grossing Japanese language live action or animated
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French cinema saw its fortunes rise at the international box office in 2023 after three difficult Covid-19 and post pandemic years, according to the annual report of export agency Unifrance released on Tuesday. The new figures showed that worldwide admissions for all feature films involving a French partner generated 37.4M admissions in 2023, representing a
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EXCLUSIVE: Finnish director Aki Kaurismäki has achieved his best global box office in a decade with Cannes Jury Prize winner Fallen Leaves which has racked up a total gross of $12.4M, according to figures released by its producers. This is the director’s second highest box office result behind 2011 drama Le Havre. The Helsinki-set love story, about
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Multi-award winning hip-hop artist Twizm Whyte Piece is releasing his newest masterpiece “One Smile Away” on Monday, January 29th, 2024. Twizm Whyte Piece, originally named Alexander Sanders but known by his stage name Twp, is a highly acclaimed independent hip-hop artist and entertainer. He is the mastermind behind the #TwpNation brand and serves as the
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In a lull for specialty openings early in the new year, three foreign-language films are taking a shot. The Settlers, winner of the Cannes Un Certain Regard FIPRESCI Prize, and Inshallah A Boy are Cannes alumns and Oscar submissions from, respectively, Chile and Jordan (neither short-listed in a competitive field). Driving Madeleine is a crowd
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Paramount’s next iteration of Mean Girls has minted $3.25M in previews. That figure includes 4pm showtimes from yesterday as well as the “On Wednesdays We Wear Pink” early access screenings. A reminder that Paramount pivoted the release of Mean Girls: It was originally intended for Paramount+, and the test scores screamed, ‘Release this movie theatrically!’.
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EXCLUSIVE: Amazon MGM‘s Head of Specialty Theatrical Distribution, Mark Boxer, was among the notables cuts yesterday at the streaming theatrical studio. Among some of Boxer’s highlights at Amazon, he oversaw the specialty theatrical releases of such Oscar nominated titles as Being the Ricardos, Poland’s 2018 International film entry Cold War, and 2x Oscar winner Sound
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View gallery Image Credit: Gregory Pace/Shutterstock Madonna is thoroughly enjoying every moment of her Celebration World Tour — even backstage! In a new Instagram carousel shared Thursday, January 11, the “Like a Virgin” singer, 65, sucked on a pink sugared strip of candy while having her eye makeup done by a makeup artist. She wore
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Michael, the Michael Jackson biopic starring Jaafar Jackson as the King of Pop, is getting a global release. Lionsgate is releasing the movie stateside on April 18, 2025, with Universal is handling overseas distribution. Today, Lionsgate announced that it was beginning production on director Antoine Fuqua’s Michael on January 22. The John Logan-scripted movie, produced
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Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
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Sony has moved Wayfarer Studios’ feature take of Colleen Hoover’s bestselling novel, It Ends With Us from Feb. 9 to June 21. The movie stars Blake Lively, Justin Baldoni, Brandon Sklenar, Jenny Slate and Hasan Minhaj. It Ends With Us leaves behind Focus Features’ Lisa Frankenstein, Bleecker Street’s Out of Darkness, and Disney/Pixar’s Turning Red
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Exhibitors are lighting candles and saying prayers that Paramount‘s feature musical redux Mean Girls carries them big-time throughout January after a dry spell caused by the double strikes. Ya see, for the next three weeks following Mean Girls, there isn’t a major studio wide release until Apple Original Films’ Argylle arrives on February 2 via
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Broadway box office was back on earth last week following the previous week’s unusual double-holiday surge, when both Christmas and New Year’s Eve fell within the same theatrical window. For the week ending January 7, Broadway’s 26 productions grossed a total $29,681,396, a 35% drop from the previous week‘s $45,413,789. Attendance was down about 14%
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Audiences didn’t have a lot of new choices, nor a mega late-December blockbuster to ring in the first weekend of the new year at the movies, but the studio titles on offer are still drawing crowds and seeing strong holds, particularly with ongoing holidays in many international box office markets. Milestones are also being set
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Sony Motion Picture Group Chairman has a few things to celebrate this weekend: Between the studio’s Spider-Man: Across the Spider-Verse and the studio’s R-rated comedy No Hard Feelings, the studio counts four Golden Globe noms. But then there’s Sony movie, Anyone But You, which reps a return for romantic comedies to the big screen; that
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Searchlight Pictures’ Poor Things rounded out the top ten this weekend and American Fiction from Amazon MGM Studios continued its slow burn with both films in the running for big awards at the Golden Globes tonight. Yorgos Lanthimos’ Poor Things starring Emma Stone grossed $2 million in week five on 750 screens (down from 700)
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It’s quiet for specialty openings after the holidays, in the thick of awards season. But one film needed this weekend — Abramorama documentary A Storm Foretold by Danish director Christoffer Guldbrandsen about the MAGA movement and the Jan. 6 insurrection. The filmmaker captured footage over years of on-and-off access to Roger Stone. It’s booked for
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