Film News

EXCLUSIVE: Moulin Rouge! The Musical, based on Baz Luhrmann’s 2001 luscious pop classic movie starring Nicole Kidman, Ewan McGregor and Jim Broadbent, has recouped its costs — not only the $28 million Broadway price tag, but it also recouped sizable sums in London’s West End and Australia. Luhrmann tells me that it’s “so gratifying that breaking
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A24’s supernatural horror Talk To Me by first time filmmakers Danny and Michael Philippou blew past box office projections grossing over $10 million on 2,340 screens opening weekend. The breakout by the first-time filmmaker brothers and popular YouTubers from Australia was no. six at the domestic box office. The film was well reviewed as a
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Just in time for Oscar season, 20th Century Studios has dated the Jeff Nichols written and directed, The Bikeriders, which follows the rise of a Midwestern motorcycle club through the lives of its members. The pic will open on Dec. 1 this year. The Bikeriders is based on the Danny Lyon novel, and it’s produced
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As expected, Warner Bros’ Barbie has now officially crossed the six-century mark globally with Friday’s figures included. The global cume is $637.5M through yesterday with the international box office repping $350.5M after a $30.1M Friday in 69 offshore markets. The Greta Gerwig-directed phenom should high-heel it past $700M through Sunday worldwide. We’ll have much more
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Major Sony release date changes here, a bulk of them due to the actors strike. Let’s start with the good news: The Culver City lot is dating Bad Boys 4, which recently wrapped production for Fathers’ Day weekend, June 14, 2024. It’s going up against Disney/Pixar’s Inside Out 2. Through three movies, the Will Smith
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A4’s supernatural horror Talk To Me opens the debut film by Australian brothers and popular YouTubers Danny and Michael Philippou on 2,300 screens. Strong reviews (see Deadline’s here), A24 large built-in fan base and its elevated horror cred saw a Thursday gross of $1.25 million, looking to top a $4-5M weekend. The Sundance-premiering pic follows
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Very early figures here for Barbenheimer given their wonderous first week. So early we don’t have the figures for Disney’s Haunted Mansion previews yet, nor the official studio numbers. But it’s another sexy $20M+ day for Barbie with an estimated $21.4M on Thursday (-7% from Wednesday), ending its first week at $258.6M. The pic should
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Mike Cavanagh, the president of Comcast who was recently named the de-facto head of NBC Universal, said the company remains “committed to reaching a fair deal [with actors and writers[ as soon as possible, so we can get back to doing what we do best, which making great content together.” In a change, he kicked
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The Barbenheimer phenomenon just keeps going. To wit: there is so much energy happening at international box office turnstiles that Tuesday’s grosses on Warner Bros’ Greta Gerwig-directed Barbie and Universal’s Christopher Nolan opus Oppenheimer were down just 1% from Monday. The offshore gross through Tuesday on Barbie is now $258.5M with global at $472.6M. As
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Wednesday isn’t a day like Tuesday, where there are cheap tickets up for sale, but that didn’t stop Warner Bros.’ Barbie from continuing its daily weekday $20M+ streak. The Greta Gerwig-directed feature grossed $23M yesterday, -12% from Tuesday, sending its six-day running total to $237.1M. America’s No. 1 doll definitely is crossing $300M this weekend,
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Mattel CEO Ynon Kreiz said last weekend’s blockbuster release of Barbie – the toymaker’s first-ever major theatrical film – is a moment that “will be remembered as a key milestone in our company’s history.” His comments came amid second-quarter numbers in line with Wall Street forecasts. “The Barbie movie is a showcase for the cultural
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We knew Warner Bros’ Barbie and Universal’s Oppenheimer were going to be big — but not this big. Paramount’s Tom Cruise sequel Mission: Impossible – Dead Reckoning Part One learned that the hard way (65% Weekend 2 decline with $19.3M) by going one weekend before the dual tidal wave, trying to avoid the wake of
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Air-conditioned Broadway held its own as New York City plunged ever deeper into a hot summer last week, with total box office receipts keeping steady at $31,520,593, a tiny increase of 2% over the previous week. Total attendance for the 30 Broadway productions was 257,204, consistent with the previous week but up nearly 15% over
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When it comes to the road to blockbuster glory, some projects are willed, some happen instantaneously, while others go through a long development hell. That’s just what happens when you’re perfecting toward a hopeful billion-grossing title. In the case of Mattel’s Barbie, it was arguably a 14-year journey that began at Universal. It stands to
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The mysterious sanctuary hidden away in the Jemez mountains was known only as Box 1663 in the mid 1950s. The mission of its 13,000 residents was to create “the gadget.” Living there was a challenge. “It’s a prison camp for eggheads,” whispered one scientist. As a young newsman, I decided I had to find a
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CEO Adam Aron said a court ruling Friday that makes it harder for AMC Entertainment to raise cash has serious implications for the circuit’s financial stability — a blowout ‘Barbenheimer’ weekend at the box office and surging share price notwithstanding. “AMC must be in a position to raise equity capital. I repeat, to protect AMC’s
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Searchlight Pictures’ comedy Theater Camp held its own on a big weekend of box office coin flowing in from Barbie and Oppenheimer. Molly Gordon and Nick Lieberman’s Sundance-winner (U.S. Dramatic Special Jury Award for Ensemble) expanded to 10 markets/51 theaters, up from six locations in New York and LA opening weekend, taking in an estimated $266,000
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While the Hollywood Studios and WGA and SAG-AFTRA are at a standstill in labor talks –streaming residuals being a big bone of contention– the theatrical side of the business exploded with Barbenheimer together grossing over $511M worldwide, $235.5M of that being domestic. Never before in the history of Hollywood movies have two films opened respectively
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Return To Dust, an arthouse hit in China last summer before being pulled from release, opens Stateside this weekend with Film Movement presenting on two screens – NYC’s BAM Rose Cinema and the Gene Siskel Film Center in Chicago, expanding to LA and Seattle next Friday. The distributor acquired the film directed by Li Ruijun
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