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Refresh for more….Sony’s mission to return comedy to the big screen with the R-Rated Jennifer Lawrence movie, No Hard Feelings, grossed $2.15M last night from showtimes that began at 4PM at 2,745 locations. The movie hopes to do around $12M this weekend in what will be second session where Warner Bros.’ misfire, The Flash, hopes
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Paramount President of International Theatrical Distribution Mark Viane kicked off the studio’s CineEurope presentation with his annual fun pre-taped video, this time essaying the role of Mission: Impossible’s Ethan Hunt before appearing on stage dragging a parachute behind him in an homage to Tom Cruise’s latest spectacular stunt in Mission: Impossible – Dead Reckoning Part
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Disney was the final studio to present here at CineEurope in Barcelona, highlighting 17 upcoming films and bringing A Haunting in Venice star/director Kenneth Branagh to town, as well as a live performance of “This Wish” from animated adventure Wish which releases in November. Head of Global Theatrical Distribution, Tony Chambers, started off the show,
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Warner Bros’ DC pic The Flash, despite tumbling down with a $55M start, will remain atop the box office with a $16.5M-$24.7M second-weekend take as the marketplace largely takes a breath sans tentpoles before Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny arrives for the Independence Day stretch. That Weekend 2 slide for The Flash
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With Tuesday’s global business factored in, Columbia Pictures and Sony Pictures Animation’s Spider-Man: Across the Spider-Verse has swung past the half-a-century mark worldwide, grossing $506.3M through yesterday. Domestically, the Joaquim Dos Santos/Kemp Powers/Justin K Thompson-directed sequel has so far made $290.4M. The international box office has contributed $215.9M to date. Across the Spider-Verse just opened today
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Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in
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Asteroid City delivered a massive jolt to the arthouse and specialty world this weekend as the Wes Anderson film presented by Focus Features blew past records with an estimated $790k three-day gross and $890k estimated for the four-day weekend in just six theaters. That’s a per-theater average of $132,211 for the three days, and $148,901
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Refresh for latest…: Warner Bros/DC’s The Flash sped into 78 overseas markets this weekend, grossing $75M, below the $85M-$95M we saw coming into the frame. With domestic’s slow-crawl three-day included, that makes for a $139M global opening. This is lower than projections, with general audiences not rushing out to see the deeper universe pic. As
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Big news in specialty this weekend as Asteroid City arrives in theaters with Wes Anderson and his army of fans behind it and a major marketing campaign by Focus Features. The director’s latest opens at six locations in New York and Los Angeles, where Focus has partnered with Landmark for the reopening of Sunset, the
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Executives of Regal parent Cineworld, led by CEO Mooky Greidinger, have agreed to a payout in the $30 million range, Deadline has confirmed, in the event that they leave leave the company as it prepares to exit Chapter 11. Documents filed earlier this year during ongoing bankruptcy proceedings in the Southern District of Texas indicated
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Police in Korea on Tuesday raided three major multiplex chains and the offices of three film distributors on suspicion of box office manipulation, according to multiple local media reports. News agency Yonhap, citing officials from the Seoul Metropolitan Police, said the six entities are alleged to have obstructed the business of the Korean Film Council
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It feels like Covid all over again, but it’s not. Disney has just made a slew of release-date changes, many due to the impact of the WGA strike and screenplays not being ready and productions paused. We already know that Thunderbolts and Blade are waiting the strike out before rolling cameras. Scripts aren’t fully ready
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After a year plus of tabloid headlines about its star Ezra Miller, Warner Bros./DC’s Covid-delayed $200M Justice League standalone superhero movie, The Flash, finally arrives in theaters. The global opening looks better than domestic, $155M-$165M Global to a $70M+ in U.S./Canada. Despite a very good response out of CinemaCon and DC co-boss James Gunn exclaiming
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Lin-Manuel Miranda wants to keep directing movies, but don’t look for him to mount any large-scale spectacles. “My responsibility as a filmmaker — and I really hope to make more movies — is to make the weird little musicals that no one else can get made,” he told Rosie Perez during an appearance Tuesday at
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With the Tony Awards – and a seriously orange New York City sky – prompting some Broadway productions to reduce their playing schedules last week, total box office and attendance was down a bit, with the 33 shows taking in $30,961,479 for the week ending June 11. In all, four productions – Kimberly Akimbo, New
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Utopia’s Squaring the Circle (The Story of Hipgnosis) grossed an estimated $10k from one engagement at NYC’s Film Forum, where it was the top-ranking pic. Celebrated filmmaker and photographer Anton Corbijn’s first feature documentary is the story of Hipgnosis, the iconic album art design studio that was a force in the music industry behind some
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While she was ebullient about Leopoldstadt‘s Tony Awards wins, including a crowning one for Best Play, producer Sonia Friedman offered some sobering thoughts about plays of its scale and cost Sunday night. “Oooh, this is a big conversation,” Friedman said when asked about the challenges of producing a show like Tom Stoppard’s multi-layered look at
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Paramount/Skydance/Hasbro’s Transformers: Rise of the Beasts is on the prowl overseas with $43.3M through Friday in 68 markets. This portends a $100M+ international box office debut, in line with projections. The domestic three-day is looking at $60M. China, a key market for the franchise, released the Autobots and Maximals at No. 1 on Friday with $11.8M,
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Two from Magnolia Pictures, the story of an iconic record album design firm back and a sighting of Brian Cox usher in a specialty weekend with smoke clearing over New York City. Acrid plumes from Canadian wildfires have smothered the key arthouse market over the past few days in an unusual air quality event that
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Five-time Emmy winner and Grammy Award nominee Wayne Brady will play the title character in The Wiz revival when it lands on Broadway in spring 2024, producers announced today, with Doom Patrol’s Alan Mingo Jr. (Kinky Boots) taking the role during many of the production’s pre-Broadway tour dates. The casting comes after the recent news
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In the wake of world premiering in Cannes to lackluster film reviews at 50% Rotten, Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is currently looking at a $60M+ domestic opening. The movie opens on June 30 heading into what is conceivably a five-day play period given that Independence Day falls on a Tuesday. Dial
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