DreamWorks Animation/Universal’s The Wild Robot grossed $1.95M yesterday from showtimes that began at 2PM in 3,000 theaters.
The Lupita Nyong’o voiced movie is expected to lead the box office with a $20M+ take, and that preview take indicates that given previous DWA comps, read it’s higher than Trolls Band Together ($1.3M) which resulted in a $9.3M opening day and $30M opening, and it’s above The Bad Guys which did $1.15M in previews, a $7.98M opening day and a $23.9M opening.
Out of the gate, great PostTrak for The Wild Robot with 5 stars from general audiences, 4 1/2 stars from parents and five stars from kids under 12. General audiences numbered 72%, parents repped 18% and kids 10% last night. More men with the general audience at 53%, while moms outnumbered dads, 58% to 42%; and kids under 12 were mostly girls at 53% as expected. The Wild Robot is based on Peter Brown’s award-winning, #1 New York Times bestseller. The movie cost a net of $78M before P&A spend.
American Zoetrope/Mihai Malaimare
Lionsgate’s release of Francis Ford Coppola/Zoetrope’s $120M self-financed Megalopolis did $770k which includes Monday’s live Imax event. We told you that alone grossed around $300K.
As far as recent comps go, many point to another filmmaker $100M-plus financed bomb, Horizon, from Kevin Costner which did $800K in previews for a $4.09M first day, $11M opening back in late June.
No one is expecting Megalopolis to do well, pegged to open between $5M-$7M; clearly a big loss with the red ink falling on the Coppola winery proprietor. Already Thursday night exits are bad with a 1/2 star and 45% positive on PostTrak — not a lot of big starry movies get that. What can be celebrated is that the 5x Oscar winning 85-year old winning filmmaker is seeing is cinematic dream get a theatrical release, and not sidelined and lost on streaming. Lionsgate has no skin in the game; they’re merely the distributor with Coppola handling the cost of marketing which I’m told is between $15M-$17M. Sources tell me Lionsgate, not matter how badly Megalopolis does will walk away with a distribution fee between $3M-$5M. Coppola said back at the Cannes press conference that Megalopolis will leave him with “no problems” financially and that his offspring, including his filmmaker children Sophia and Roman and their children, “have wonderful careers without a fortune.”
We’ve heard that Imax is the aorta of this movie with most presales for large format showtimes.
Who showed up last night for the Adam Driver, Aubrey Plaza, Jon Voight, Nathalie Emmanuel dystopian epic? Most men at 69% and a young audience with 64% under 25. Best grades, if you can call it that, were given by women over 25 (23% of the crowd) who gave it 50%. Rotten Tomatoes critical scores stand at 50% Rotten.
Warner Bros’ third week of Beetlejuice Beetlejuice did $33.2M after a $1.46M Thursday for a running cume of $234M. The Tim Burton directed movie is pacing just under $40M behind Warner Bros.’ top grossing movie of September, It, at the same point in time which ended its run at $327.4M.
Paramount’s first week of Transformers One did $29.8M after an $838K Thursday. The movie is expected to ease around -50% in its second weekend.
Blumhouse/Universal’s Speak No Evil ends weekend 2 with an estimated $8.3M after $520K yesterday for a running total of $23.8M.
Lionsgate’s Alexandrea Aja directed, Halle Berry genre movie, Never Let Go, ends week one with $6M after a $300K Thursday.
Mubi’s Demi Moore body swap movie The Substance end its first week with $5M after a $377K Thursday.
We’ll see how hard Hurricane Helene rocks the box office as the day goes. Per Weather.com there’s more than 4M homes and businesses without power: South Carolina (1.3M), Florida (1.1M), Georgia (1.07M), North Carolina (614K) and Virginia (43K).
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