After pouring over $200M currently into the domestic box office with Dune: Part Two, Legendary Entertainment and Warner Bros. have more cash to shower on exhibition with the Easter weekend March 29 theatrical release of Godzilla x. Kong: The New Empire. Currently projections are at $45M+ (don’t be shocked if it hits $50M) for the
Warner Bros
Bong Joon-Ho‘s next big movie post his Parasite Oscar winner, Mickey 17, will open in his native South Korea homeland on Jan. 28, 2025, three days before the pic’s global launch on Jan. 31. Warner Bros. specifically moved the Robert Pattinson sci-fi movie from this March to the end of January in order to take
Legendary Entertainment/Warner Bros.’ Dune: Part Two came in higher with an $82.5M opening. That’s all thanks to a higher than anticipated Sunday of $21.65M versus $20.3M. Presales, I hear in Imax remain strong into next weekend as some moviegoers want to sidestep crowds and get the best seats. The sandworm epic is following a box
UPDATED, Friday AM after Thursday EXCLUSIVE: Legendary/Warner Bros‘ Dune Part Two has now grown to $12 million-plus in previews, Warner Bros said Friday. That’s from 4,500 locations; Imax alone delivered $4.5M of that number, or 38%. Of that preview figure, $2M came from an Imax fan screening on February 25. Audience reactions have hit Rotten
FRIDAY UPDATE: Dune: Part Two added 42 international box office markets on Thursday, taking the offshore cume on the Denis Villeneuve-directed sequel to $20.8M in a total 55. This includes two full-days of play and previews in those markets. The Warner Bros/Legendary Entertainment sci-fi spectacular is the No. 1 U.S. title in all markets and
EXCLUSIVE: Welcome back to the cinema, everyone. Legendary Entertainment/Warner Bros‘ Dune: Part Two is off to a strong start with $10 million-plus in previews, per industry estimates Thursday. We hear that figure includes $2M from the Imax fan event screening that took place February 25. Note that these numbers do not come from Warner Bros,
Warner Bros/Legendary Entertainment’s much awaited Dune: Part Two is off and storming the international box office. The Denis Villeneuve-directed sequel began its overseas rollout on Wednesday in 13 markets with $5.2M for the day as the No. 1 Hollywood film in each. Including previews, the offshore cume through yesterday is $7.6M. Wednesday’s release markets included
We’ve been waiting for this one for quite some time. Unless you’ve been living under a rock, you know that Legendary Entertainment and Warner Bros.’ Dune: Part Two opens this weekend to give a much-needed jolt of testosterone to a box office winded by the dual strikes’ delay of titles. To date, the annual 2024
Warner Bros has dated Mickey 17 for Jan. 31, 2025 — a very odd date for a highly anticipated follow-up from Oscar and Cannes Palme d’Or winning filmmaker Bong Joon-ho. What’s key about the date is that Warner Bros will have Imax. Originally, Mickey 17 was to go on March 29, shortly after Dune: Part
Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
MONDAY AM writethru: Yes, Virginia, there is a Santa Claus, and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office, a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday, coupled by a Q4 impacted by the double strikes. The numbers were compiled from
Releasing three tentpole movies into December, Warner Bros is walking away with bragging rights to giving the holiday season an important boost – particularly given the absence of an Avatar or a Spider-Man as in recent years. In total, WB’s three titles on release have grossed $700 million since Wonka first began offshore rollout on
After a domestic box office that’s been battered by double strikes, exhibition and the industry overall, we can thank Warner Bros for leaving three potential $100M-grossing movies under the tree: Aquaman and the Lost Kingdom, Wonka and The Color Purple. However, it’s not going to be a Christmas like those of yore, either pre- or
FRIDAY AFTERNOON: Warner Bros.’ Wonka is looking at a $12M-$13M Friday, including those $3.5M previews from last night, on its way to a $35M+ start at 4,203 locations. That’s a respectable opening for this time of year when moviegoers are still sidelined by holiday activities, and it’s a solid start for a feature musical, currently
When was the last time that Warner Bros had a hefty trifecta at the Christmas box office? No Oompa Loompa is set to jinx the David Zaslav-run Warner Bros Discovery over the holidays for by Christmas week, it’s conceivable that the studio will own the top three movies at the box office between DC’s Aquaman
EXCLUSIVE: Warner Bros/DC’s Aquaman and the Lost Kingdom hit three week tracking with an outlook of $50M-$60M for the four-day. The James Wan directed sequel arrives in theaters on Dec. 22 and Christmas Day falls on a Monday this year. That means business for all movies will be off on Christmas Eve Sunday by -60%
EXCLUSIVE: Warner Bros‘ highly anticipated Paul King-directed feature musical Wonka has hit early tracking six weeks before its release on Dec. 15 with box office analytics corp The Quorum predicting a $20M-$23M opening. Note it’s still early in the campaign, so there’s potential for upside. Unlike other tracking services which project three weeks before a
Warner Bros. Pictures and DC Films’ AQUAMAN AND THE LOST KINGDOM moves from Wednesday 12/20/23 to Friday 12/22/23 Director: James Wan Producers: Peter Safran, Wan and Rob Cowan. Executive Producers: Galen Vaisman and Walter Hamada. Writers: David Leslie Johnson-McGoldrick, from a story by James Wan & David Leslie Johnson-McGoldrick and Jason Momoa & Thomas Pa’a Sibbett, based on characters from DC,
Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in
Warner Bros’ Barbie ain’t missin’ no steps as the Greta Gerwig-directed title is clicking past the $600M mark at the domestic box office in her 43rd day of release. Note it took Top Gun: Maverick 47 days to cross that threshold, that Tom Cruise movie ending its stateside run at $718.7M. Barbie is currently pacing
This Wednesday, Warner Bros.’ Barbie will become the highest-grossing movie at the domestic box office year to date with north of $574.2M, overtaking Universal/Illumination Entertainment’s Super Mario Bros Movie which finaled its stateside run at that amount. The last time Warner Bros. ruled with the top-grossing movie of the year was in 2011 with Harry
Barbie‘s dream house keeps getting stuffed with cash. The Greta Gerwig-directed Mattel doll adaptation has become the highest grossing Warner Bros. movie in the studio’s 100-year history at the domestic box office with $537.4M, unseating previous champ, Christopher Nolan’s The Dark Knight which made $534.9M back in 2008. Barbie crossed the half billion mark in
Unlike last August which was totally lacking product after Sony’s Bullet Train, the month looks to keep chugging even as the WGA and SAG-AFTRA strikes continue and many talent not permitted to promote. Recently, Warner Bros/DC’s Blue Beetle hit tracking with an eye on a $30M start when it opens on Aug. 18. With Blue
Sequin- and self-actualization sprinkled congratulations are in order for Greta Gerwig, Margot Robbie and all the dolls and guys as the phenomenon that is Barbie has now crossed $1B global in just its third weekend. We said yesterday it was on the cusp, and now here’s the pudding. Through Sunday, the international box office estimate is
When it comes to the road to blockbuster glory, some projects are willed, some happen instantaneously, while others go through a long development hell. That’s just what happens when you’re perfecting toward a hopeful billion-grossing title. In the case of Mattel’s Barbie, it was arguably a 14-year journey that began at Universal. It stands to
Vietnam has banned commercial screenings of Warner Bros’ Barbie due to a scene that depicts a map of the South China Sea with the “nine-dash line” that is contested by the Vietnamese government. The film, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling, was scheduled for release in Vietnam on July 21.
It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21. Warner Bros.’ highly anticipated comedic feature take on girl toy Barbie starring Margot Robbie in the title role and Ryan Goslin as Ken cruised on to tracking today and hot would be a
Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in
There are a lot of lessons to be learned this weekend, but chief among them, is what’s it like for a major motion picture studio to open a movie with largely a number of its cast, primarily its main star, not available to do press. That’s the big looming question which has been on everyone’s
D. Barry Reardon, former longtime Warner Bros. President of Sales and Distribution, has died at 92. The exec known as “The Dean of Distribution” among industry peers and filmmakers passed May 27 in Vero Beach, FL. Reardon was the head of theatrical distribution at Warner Bros from 1978-99, and was known for breaking the mold