Theater

Steve Coogan, Armando Iannucci and Sean Foley are teaming for a West End stage production of Stanley Kubrick’s classic 1964 war satire, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.  Billed as the first-ever adaptation of a Kubrick work, Dr. Strangelove will star Coogan in multiple roles at London’s Noel
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Producers of the struggling A Beautiful Noise: The Neil Diamond Musical are hoping for better attendance by breaking with a long-held Broadway tradition: Beginning next month, the musical will play four weekly matinees rather than the usual three while cutting the number of evening performances to four from the traditional five. Beginning Sept. 6, the
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EXCLUSIVE: Moulin Rouge! The Musical, based on Baz Luhrmann’s 2001 luscious pop classic movie starring Nicole Kidman, Ewan McGregor and Jim Broadbent, has recouped its costs — not only the $28 million Broadway price tag, but it also recouped sizable sums in London’s West End and Australia. Luhrmann tells me that it’s “so gratifying that breaking
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Lin-Manuel Miranda wants to keep directing movies, but don’t look for him to mount any large-scale spectacles. “My responsibility as a filmmaker — and I really hope to make more movies — is to make the weird little musicals that no one else can get made,” he told Rosie Perez during an appearance Tuesday at
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While she was ebullient about Leopoldstadt‘s Tony Awards wins, including a crowning one for Best Play, producer Sonia Friedman offered some sobering thoughts about plays of its scale and cost Sunday night. “Oooh, this is a big conversation,” Friedman said when asked about the challenges of producing a show like Tom Stoppard’s multi-layered look at
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Tyne Daly and Liev Schreiber will star in a new Broadway production next February of John Patrick Shanley’s Tony Award & Pulitzer Prize-winning play Doubt: A Parable, with direction by Scott Ellis. The Roundabout Theatre Company production will begin performances in February 2024 at the American Airlines Theatre. Exact dates, remaining cast members, and design
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The Broadway box office report won’t register the impact of this morning’s Tony Award nominations for a week or two, but today’s news certainly comes as welcome and promising signs for Shucked, Kimberly Akimbo, Fat Ham and other well-reviewed productions doing their best to compete against blockbusters like Sweeney Todd and Parade. Shucked in particular
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Broadway showed signs of a spring blossoming last week, with box office receipts and ticket prices taking their traditional climb during the tourist-bumped week leading up to Easter. In all, the 33 productions grossed $38,594,054, a 12% increase over the previous week. Attendance for the week ending April 9 was 280,760, up 4%. The more
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Broadway’s old and new teamed up last week to boost total box office nearly 20%, with The Phantom of the Opera (the old) posting a best-ever $3 million weekly gross and The Jonas Brothers (the new, to Broadway anyway) taking in $1.6 million for their five-concert residency. In all, Broadway’s 29 productions grossed a total
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The  Royal Shakespeare Company’s stage adaptation of Maggie O’Farrell’s best-selling novel Hamnet, a tale of love and heartbreak concerning Agnes Hathaway and her beloved one William Shakespeare, has taken the unheralded step of announcing its West End transfer before it has has even opened in the famous playwright’s place of birth. The play, adapted by Lolita Chakrabarti
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The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
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Some recent Broadway arrivals added both star power and box office receipts to the weekly grosses reports, with both Sweeney Todd: The Demon Barber of Fleet Street and Parade selling out (the latter despite some loudmouthed neo-Nazi protesters), and A Doll’s House starring Jessica Chastain and Andrew Lloyd Webber’s Bad Cinderella coming close. The musical
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EXCLUSIVE: Performance artist, comedian, actress, playwright and elected Koreatown Los Angeles representative, Kristina Wong, has inked with CAA in all areas. Wong has mounted several solo shows here in Los Angeles, however, her latest Kristina Wong, Sweatshop Overlord, earned her a Pulitzer Prize finalist for Drama last year. Sweatshop Overlord, a co-production between Center Theatre Group
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The long-running The Phantom of the Opera was once again Broadway’s highest grossing show last week, taking in a mighty $2,483,532 for the week ending Jan. 29, outpacing runners-up Funny Girl ($1,872,862) and Hamilton ($1,871,921) by a noticeable margin. The Andrew Lloyd Webber musical at the Majestic has experienced a remarkable resurgence in interest (and
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Broadway lost six productions on January 15 – including the top-grossing The Music Man – to the usual January roster-thinning, and each show went out on a happy note with strong attendance. With 29 productions on the boards, Broadway grossed $33,859,988 for the week ending January 15, down about 9% from the previous week when
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Big holiday ticket prices, bonus performances and large audiences spurred a hefty surge of nearly 50% in Broadway box office last week (ending Jan. 1) over the previous week, with productions including Funny Girl, MJ, Six, Beetlejuice and & Juliet among the shows smashing house records. With 20 of the 33 shows adding a ninth
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Funny Girl broke a house record with more than $2 million in receipts at the August Wilson Theatre, A Beautiful Noise continued its $1 million-plus weekly take, and The Piano Lesson topped the list of highest-grossing non-musical productions with $914,752, each contributing to Broadway’s $37M box office tally for the week ending Dec. 18. Heading
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EXCLUSIVE: Susan Storman, the celebrated Broadway director and choreographer, has revealed that an acclaimed UK revival of musical comedy Crazy for You, which features show-stopping numbers from the George and Ira Gershwin songbook, will transfer from the Chichester Festival Theater into Andrew Lloyd Webber’s LW Theatres-owned Gillian Lynne Theatre for a strictly limited 30-week West End season from
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Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices. Not coincidentally, average ticket price was up 22% from the previous week, hitting
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Two of the fall Broadway season’s buzzy new musicals – A Beautiful Noise, The Neil Diamond Musical and Some Like It Hot – began previews last week, both doing solid business in their first, partial weeks. A Beautiful Noise pulled in an impressive $845,074 for five performances, filling 88% of seats at the Broadhurst with
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