Independent

Animated fairy tale The Amazing Maurice voiced by Emilia Clarke, Hugh Laurie, David Thewlish, Gemma Arterton and Himesh Patel, jumps from Sundance to 1,700 screens via Viva Pictures, the distributor’s widest release to date and a big one for any independently produced animated film. And Civil War drama Freedom’s Path starring Gerran Howell, RJ Cyler, and Ewen
0 Comments
Even on a specialty level, horror just works post-pandemic with the latest pop from a strong showing by a trio of films, Fear and Infinity Pool, released this weekend, and Skinamarink in week three. Fear hails from Deon and Roxanne Avent Taylor’s Hidden Empire Film Group, the all-Black production company behind cult hit Meet The
0 Comments
Neon and Topic Studios present writer/director Brandon Cronenberg’s Infinity Pool at 1,835 theaters in a lively specialty weekend sandwiched between a new crop of Sundance films and noteworthy expansions in the glow of Oscar nominations. Infinity Pool, staring Alexander Skarsgard, Mia Goth, Cleopatra Coleman and Jalil Lespert, had a splashy debut last weekend in the
0 Comments
Sony Pictures Classics present Florian Zeller’s The Son on 554 screens, an emotional family drama that folllows the director’s 2020 Oscar-winning The Father. As with that film, The Son is adapted from Zeller’s own stage play along with Christopher Hampton. Hugh Jackman, Laura Dern, Vanessa Kirby, Zen McGrath and Anthony Hopkins star in the cautionary tale of a
0 Comments
A24’s The Whale crossed the $11-million mark in week six as it jumped to 1,500 screens from 835 as the Brendan Fraser-starrer and other contenders continue to tweak theatrical runs through awards season. The film, which received a PGA nomination for Best Motion Picture this week along with SAG noms for Fraser and co-star Hong
0 Comments
Karen Cooper, longtime director of New York City’s indie cinema gem Film Forum, says she’s stepping down at a good time, not just for her, but for the business. Despite all the naysayers and after slogging through Covid with the help of federal grants and weathering a slow recovery, Cooper said business is currently pretty
0 Comments
In a major shift one of the nation’s premier arthouses, Karen Cooper will be exiting as director on June 30 after 50 years running the Film Forum in New York City. Deputy Director Sonya Chung will assume the role. Cooper has led the nonprofit cinema since its first iteration in 1972 as a 50-seat loft
0 Comments
Sony’s Tom Hanks-starrer A Man Called Otto banked $4.2 million in a lively second frame as it moved to 637 locations nationwide from four in NY and LA. Strong word of mouth propelled moviegoers into seats with particular strength in the heartland and momentum looks good as the adult drama/comedy heads into next week’s wide
0 Comments
Alcarràs, winner of the Golden Bear in Berlin, opens on five screens in New York, Los Angeles and Chicago, presented by Mubi; Quiver Distribution releases Candy Land in nine theaters; and Sony’s Tom Hanks-starring A Man Called Otto, UAR’s Women Talking and IFC Films’ Corsage move into moderate expansions as the broader specialty market barrels
0 Comments
New Yorkers braved the cold this weekend for Corsage at two theaters ( IFC Center, Film at Lincoln Center) as Marie Kreutzer’s biopic of Empress Elisabeth of Austria starring Vicky Krieps grossed an estimated $32,000 over the three-day weekend for a robust $16k per screen average. The four-day estimate for the IFC Films biopic of
0 Comments
Patti Smith hosted a New York screening of Corsage last week, one of many showings since the Oscar-shortlisted Best International Feature contender premiered to a warm welcome in Cannes, where it won Best Performance, Un Certain Regard, for star Vicky Krieps as the Empress Elisabeth of Austria, Sisi for short. It’s fitting that Smith, royalty
0 Comments
French author and now filmmaker Annie Ernaux is having a year. She was just awarded the 2022 Nobel Prize for literature. Her autobiographical L’Événement was adapted by director Audrey Diwan into the critically acclaimed Happening, released last spring. And this weekend, Kino Lorber presents her directorial debut, The Super 8 Years, at Film at Lincoln Center and DCTV
0 Comments
From its triumphant world premiere (with seven-minute standing ovation) at the Venice Film Festival, A24 opens Darren Aronofsky’s The Whale in theaters this weekend amid a whirl of Oscar buzz around star Brendan Fraser. The former action star carries the psychological drama as Charlie, a reclusive and severely obese English teacher trying to reconnect with his estranged teenage daughter. Deadline critic
0 Comments
Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at
0 Comments
Laura Poitras’ Venice Golden Lion-winner  All The Beauty And The Bloodshed opens in three theaters today, testing a crowded specialty market at the IFC Center, Lincoln Center & BAM in NYC. It adds LA and San Francisco (AMC Sunset 5 & AMC Kabuki) Dec. 2. Presented by Neon, this is the story of internationally renowned photographer
0 Comments
EXCLUSIVE: Magnolia Pictures has snapped up North American rights to the Toronto Film Festival closing-night film Dalíland from Mary Harron, Deadline has learned. Oscar winner Ben Kingsley stars as the titular Salvador Dalí, and Ezra Miller plays the younger version of the world-renowned 20th century artist. Magnolia plans a theatrical release next year. Dalíland tells
0 Comments
A new crop of prestige titles plant a flag at the arthouse in limited release this weekend from Luca Guadagnino’s Bones and All to Jerzy Skolimowski’s EO, to Elegance Bratton’s The Inspection. Greenwich Entertainment opens doc Love, Charlie: The Rise And Fall Of Charlie Trotter IFC Films presents Bad Axe and Cohen Media Group is
0 Comments
“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them
0 Comments
The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed
0 Comments
The Banshees of Inisherin, which won writer-director Martin McDonagh Best Screenplay and Colin Farrell the Volpi Cup for Best Actor in Venice last month, hits theaters in New York and Los Angeles on Friday, expanding to 10 more markets/50 locations next weekend, and to 600-800 screens November 4. If standing ovations say anything, the comedy-drama had a
0 Comments
Specialty film rollouts continues to accelerate with Chinonye Chukwu’s Till, Park Chan-wook’s Decision To Leave and A24’s Stars At Noon joining releases from previous weeks to populate theaters as awards season gathers steam.   Till, from United Artists Releasing, world premiered at the ongoing New York Film Festival to stellar reviews (100% on Rotten Tomatoes,
0 Comments
Focus Features’Tár opened in limited release to strong results with $160,000 at four locations in New York and Los Angles for a $40,000 per theater average, one of the best PTAs since Covid and not bad for a 2-hour and 38-minute arthouse film pre-pandemic. Riding strong reviews, the Cate Blanchett-starrer by Todd Field was no. 1 in three
0 Comments
Today Focus Features opens Tár, the strikingly original return of Todd Field, in four locations in NY and LA. The film premiered at Venice winning star Cate Blanchett Best Actress as musician and conductor Lydia Tár. Early this week, it seemed to mesmerize a sold-out Alice Tully Hall at the New York Film Festival. A 97%
0 Comments
The sequel to a beloved British family film, a heavy metal re-release, an Apple title from TIFF and Abigail Disney’s takedown of the American Dream populate the specialty film weekend in a market that may have found sturdier footing ahead of awards season and amid a dearth of blockbuster fare. “I think there’s a lot
0 Comments
Roadside Attractions has taken domestic rights for To The End, the follow-up film from Rachel Lears (Knock Down The House), and set a Dec. 9 theatrical-only release date. The deal was announced by Co-Presidents Howard Cohen and Eric d’Arbeloff. The film, which premiered at Sundance, covers three years of both hope and crisis leading to
0 Comments