Ford V Ferrari

China’s third Friday back to the movies scored a slight increase on last week’s comparable day at $4.38M. It’s short of the $7.6M generated last Sunday which was boosted by Warner Bros’ reissue of Christopher Nolan’s Interstellar, but still a jump on last Friday, while midweeks were solid. Play today was led by DreamWorks/Amblin/Universal’s 1917
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EXCLUSIVE: Klaus, Ford v Ferrari, and animated shorts Sister and Hair Love repped Oscar nominations earned by alumni of The California Institute of the Arts (CalArts) yesterday. Since the creation of the Best Animated Feature Oscar category in 2001, 12 of the winning films were directed by CalArts alums with the last seven consecutive Animated
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Refresh for latest…: Sony’s Jumanji: The Next Level is out in 18 early overseas release markets ahead of domestic next weekend, and in many, the movie is stepping up versus predecessor Jumanji: Welcome To The Jungle. Overall, the Jake Kasdan-directed sequel opened to $52.5M at the international box office, slightly down on the last film’s
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6th Update Sunday AM: And so Thanksgiving 2019 ends with Disney’s Frozen 2 collecting a 5-day estimate of $126.3M, the most ever for any film that has played the holiday, opener or holdover, besting Lionsgate’s 2013 Hunger Games: Catching Fire ($109.9M), plus it was a fantastic win for auteur-driven original IP from Lionsgate/Media Rights Capital’s Rian Johnson
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Refresh for latest…: The Frozen 2 blizzard continued at the global and international box office this weekend with the Disney sequel now minting $738.6M worldwide and $451M overseas through Sunday. The offshore hold was -38 for a $163.8M weekend, and Elsa continued her No. 1 reign in 45 open markets. This comes after a record-setting
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Refresh for latest…: Fox/Chernin Entertainment’s Ford V Ferrari raced its way to a $21.4M start at the international box office this weekend. The Disney release went out in 41 material markets and came in slightly above pre-frame projections. This is a solid start that combines with domestic’s high-octane debut to make for a $52.4M global
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In the wake of Terminator: Dark Fate’s failure at the B.O., and Paramount’s recent decision to make Beverly Cops 4 for Netflix, we have the further breakdown of cinema IP in Sony’s Charlie’s Angels reboot which is tanking with a God-awful $8.2M opening, 3 Stars on Screen Engine-Comscore’s PostTrak and a B+ Cinemascore. The Elizabeth Banks-directed-written and
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James Mangold’s Ford v Ferrari from 20th Century Fox/Chernin Entertainment put $2.1 million in the tank from Thursday box office previews that began at 6 PM. Projections expect the pic being released by Disney to exceed $20M this weekend, maybe even as high as $30M. Great exits for the Christian Bale-Matt Damon movie last night: 4 1/2
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There’s a very good chance that an original movie, 20th Century’s Ford v Ferrari, is poised to best a rival studio franchise reboot, Sony’s Charlie’s Angels at the box office this weekend, $20M-$30M+ to $10M-$12M. That’s great for these types of adult titles in a year when most major studios have flooded the marketplace with so
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James Mangold’s Ford v. Ferrari which is winning over crowds and critics in early screenings since its world premiere at the Telluride Film Festival is looking at a solid start in the $23M-$30M range in early tracking when the Disney–Fox pic opens on Nov. 15. The movie, which stars Matt Damon as car designer Carroll Shelby and
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