When New Line/DC’s Shazam: Fury of the Gods hit tracking four weeks ago with a low $35M projection, it was shocking and not shocking to rival distributors. Shocking, because in a spring full of franchise tentpoles, many of which are seeing record opening domestic highs, how can a DC property like Shazam! not keep up
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New Line’s DC sequel Shazam! Fury of the Gods got off the ground at 3 p.m. Thursday and posted $3.4M in previews at 3,400 theaters. That’s less than the first Shazam! back in April 2019, which did $5.9M in its Thursday previews (off showtimes that began at 4 p.m.). Shazam! also had another $3.3M in
New Line’s Covid-delayed DC sequel Shazam! Fury of the Gods finally will hit theaters this weekend in 77 offshore territories and the U.S. with a global outlook between $80M-$85M — $35M of that coming from domestic. The David F. Sandberg-directed pic previously had been scheduled to open on December 21, but Warner Bros decided in
Warner Bros/New Line/DC’s sequel Shazam! Fury of the Gods hit early tracking Thursday and surprised many with a low projection of $35 million, which is under the first installment’s $53.5M opening in 2019. Realize it’s still early, and Warner Bros hasn’t fully fire-breathed its marketing campaign yet. The odd thing is that tracking was comping
As part of James Gunn and Peter Safran’s unveiling of their new DC Universe Chapter One, “Gods and Monsters”, the twosome announced theatrical release dates for the Gunn penned Superman Legacy, that being July 11, 2025 and Matt Reeves’ DC else-world Batman II which is Oct. 3, 2025. Gunn and Safran declared that 2025 will
There’s some snarking going on out there that Black Adam is poised to lose $50M-$100M, and that is simply just not true. Deadline film finance sources, meaning people who do this for a living and those close to the film, say this movie is bound to break even and be in the black. Scroll down
Warner Bros/New Line/DC’s Black Adam began rolling out at the international box office on Wednesday, and through Thursday has rocked to $13.8M from 57 markets. Today adds the UK and Spain as overseas release continues. Initial markets to go on Wednesday included France and Korea. In the former, the Dwayne Johnson-starrer has grossed $1M through
Warner Bros/DC’s Wonder Woman 1984, as expected, landed at No. 2 in its China debut on Friday, coming in behind local actioner The Rescue. The Patty Jenkins-helmed sequel to 2017’s Wonder Woman grossed an estimated RMB 44.2M ($7M, including sneaks). This portends a weekend in the mid $20M range for the Middle Kingdom, lower than
Warner Bros/DC’s Wonder Woman 1984 begins offshore rollout today in such markets as Indonesia, Portugal and the UK — though on a very limited basis in the latter where London cinemas have been re-shuterred as the capital moves into a Tier 3 Covid lockdown. In total, there will be 32 markets open through Friday with
There’s never one reason why a movie fails at the box office, but several, and titling the Harley Quinn Warner Bros. Suicide Squad spinoff Birds of Prey and the Fantabulous Emancipation of One Harley Quinn wasn’t really the wisest movie marketing decision of late. Birds of Prey opened to $33M at the domestic box office
Warner Bros’ Birds Of Prey took flight across 51 overseas markets on Wednesday and Thursday, grossing $7.8M at the international box office through its first two days. The Cathy Yan-directed DC spinoff has opened to No. 1 in its major plays, save Korea and Italy where local titles are dominating. Ahead of the weekend, the