The long-running The Phantom of the Opera was once again Broadway’s highest grossing show last week, taking in a mighty $2,483,532 for the week ending Jan. 29, outpacing runners-up Funny Girl ($1,872,862) and Hamilton ($1,871,921) by a noticeable margin. The Andrew Lloyd Webber musical at the Majestic has experienced a remarkable resurgence in interest (and
Broadway Box Office
With a slimmed-down roster and many productions offering 2 for 1 tickets during the annual Broadway Week promotion, Broadway box office was down 24% for the week ending January 22, with the 23-show total at $25,835,362. Attendance of 204,847 was off 17% from the previous week when 29 shows were on the boards. Despite the
Broadway lost six productions on January 15 – including the top-grossing The Music Man – to the usual January roster-thinning, and each show went out on a happy note with strong attendance. With 29 productions on the boards, Broadway grossed $33,859,988 for the week ending January 15, down about 9% from the previous week when
Broadway box office took the expected drop last week, declining nearly 30% (to $37,394,931) from the previous week’s holiday-pumped $52M figure. Attendance for the 32 shows was down about 12% (to 275,834), but remained at a solid 92% of total capacity. The reason for the decline, of course, is the previous week’s New Years week
Big holiday ticket prices, bonus performances and large audiences spurred a hefty surge of nearly 50% in Broadway box office last week (ending Jan. 1) over the previous week, with productions including Funny Girl, MJ, Six, Beetlejuice and & Juliet among the shows smashing house records. With 20 of the 33 shows adding a ninth
Funny Girl broke a house record with more than $2 million in receipts at the August Wilson Theatre, A Beautiful Noise continued its $1 million-plus weekly take, and The Piano Lesson topped the list of highest-grossing non-musical productions with $914,752, each contributing to Broadway’s $37M box office tally for the week ending Dec. 18. Heading
The holiday spirit – at least the kind measured at the box office – seemed to arrive on Broadway last week, for some shows anyway. Obvious case in point: A Christmas Carol, starring Jefferson Mays in his tour de force as every last ghost, miser and Cratchit in the story, was up a bountiful 34%
A Beautiful Noise, The Neil Diamond Musical took in more than $1 million at the box office in the week leading up to, and including, its opening night on Sunday. Filling 91% of seats at the Broadhurst, the jukebox bio-musical joins & Juliet, Leopoldstadt and The Piano Lesson as one of the strongest newcomers of
Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices. Not coincidentally, average ticket price was up 22% from the previous week, hitting
A busy week on Broadway saw three official openings (including the Take Me Out return) and three additions to the line-up of previewing productions, with grosses for the 34-show roster jumping by 8% (to $32,314,920) over the previous week. Attendance for the week ending Nov. 13 was up 11% to 272,232. Starting with the openers,
Two of the fall Broadway season’s buzzy new musicals – A Beautiful Noise, The Neil Diamond Musical and Some Like It Hot – began previews last week, both doing solid business in their first, partial weeks. A Beautiful Noise pulled in an impressive $845,074 for five performances, filling 88% of seats at the Broadhurst with
EXCLUSIVE: Comic monologist Mike Birbiglia has made an early Broadway splash with his new show The Old Man & the Pool, selling out his first four previews last week – the only other production with all seats filled was The Phantom of the Opera – and, Deadline can report exclusively, getting a two-week extension of
Broadway box office held steady last week, with impressive attendance for recent arrivals Almost Famous and Kimberly Akimbo, and Leopoldstadt again setting a house record at the Longacre with receipts of $1,158,051. In all, the 28 Broadway productions grossed $28,585,160 for the week ending Oct. 23, just about dead-even with the previous week. Total attendance
Broadway held fairly steady at the box office last week, with recent arrivals Leopoldstadt and The Piano Lesson leading the pack of fall newcomers with grosses of $758,988 and $704,051, respectively. In all, Broadway’s 25 current shows took in $25,208,583 for the week ending Oct. 2, a slight 4% slip from the previous week, possibly
The Piano Lesson led the pack of Broadway’s recent arrivals at the box office last week, with the August Wilson revival starring Samuel L. Jackson, John David Washington and Danielle Brooks grossing $795,306 for its first seven performances at the Ethel Barrymore Theatre. Coming in a close second, in terms of gross receipts, was Leopoldstadt,
A slate of four new productions and renewed interest in a couple of old ones pushed Broadway box office up by 20% last week, with total receipts for the 24 shows reaching $24,954,517 and attendance climbing 14% to 201,321 for the week ending September 18. Among the newcomers: Death of a Salesman, 1776, Cost of
Even with a Covid-shortened performance schedule, Lea Michele’s star turn in Funny Girl was serious business last week, with box office for the musical revival more than doubling from the previous week. For the week ending September 11 — Michele’s first week as Fanny Brice — Funny Girl grossed $1,639,212, a dramatic upturn from the
Broadway gave Billy Crystal a fine send-off last week, with the star’s Mr. Saturday Night musical grossing more than $1 million during its final week of performances. That number – $1,014,614, to be precise – is a big jump over the show’s weekly box office takes in recent months. About 98% of seats at the
Most of the 21 Broadway productions on the boards last week showed some signs of summer doldrums, with 17 shows reporting drops in box office over the previous week. Still, with The Music Man back on the roster after a week’s hiatus, the overall total box office take of $23,513,592 was up about 6%. Total
Broadway box office drooped in the final, sun-baked weeks before the Fall arrivals of new shows, with the roster of productions down to 20 last week and total box office slipping 19% from the previous week to $22,232,527. Attendance was down about 15% to 181,785, roughly commensurate with the lesser number of productions (down from
Broadway’s heavy hitters withstood New York’s heatwave last week, with MJ, Dear Evan Hansen and Hamilton selling out and Hadestown, Harry Potter and the Cursed Child, Into The Woods, Moulin Rouge!, Six, The Book of Mormon, The Lion King and The Music Man coming very close. In all, the 23 Broadway productions took in $27,682,655
Broadway box office held steady last week, with most productions keeping pace, for better or worse, with their recent trends. In all, the 25 shows took in a total $29,531,601 for the week ending July 24, up about 2% from the previous week. Total attendance was 224,884, not much difference from the previous week. Some
Box office for most Broadway shows – Funny Girl and Mr. Saturday Night included – was up a bit last week, as the hits – Into The Woods and MJ included – stayed strong and even some struggling shows saw a slight uptick in attendance. Although total Broadway box office was down 4% from the
News of Lea Michele’s upcoming arrival in Broadway’s Funny Girl will certainly hand the musical a revival in advance ticket sales, welcome news for producers who saw last week’s box office continue its recent downward pivot. The musical, currently starring Beanie Feldstein (who has missed some recent performances) played to houses only 65% full during
Following its sold-out Off Broadway Encores! run this past spring, the revival of Into The Woods continued drawing audiences in the first performances of its Broadway transfer, filling 94% of seats at the St. James Theatre and grossing a big $1,380,760. The revival of the James Lapine and Stephen Sondheim classic, featuring a cast that
Broadway box office held steady last week, with total grosses of $30,789,627 showing a 4% increase over the previous week even with two fewer shows on the boards. Of particular note, A Strange Loop and MJ have held on to their post-Tony Award strength: Both productions were among the roster’s full houses. A Strange Loop,
MJ and A Strange Loop saw Tony Award glory translate into box office surges in the week after the June 12 ceremony, with MJ leaping by $216,921 over the previous week’s take to a huge $1,660,978. A Strange Loop grossed $845,313 for the week ending June 19, a jump of $168,998 over the previous week. Both
Though it’s too soon to say how Sunday’s Tony Awards will impact box office for the night’s winners and losers, figures for the week leading up to the ceremony show big gains for the multi-nominated (and eventual Best Musical winner) A Strange Loop. The Michael R. Jackson musical filled 98% of its available seats during
Broadway took a pre-Tony Awards early-summer dip at the box office last week, slipping 11% from the previous week to gross a total $29,555,352 for 31 productions. Attendance was off about 10% to 230,894. While most of the shows reported drops, the overall figure also reflects four fewer productions than the previous week’s roster, with Birthday
UPDATE, with revised figures for Birthday Candles, Mrs. Doubtfire Broadway box office held steady last week, the first week of the new 2022-23 season, with the 35 productions grossing a total of $33,347,304, with attendance at 257,210. Both figures for the week ending May 29 indicate a less-than-1% change from the previous week. Overall, the