A24

Updated: This year’s arthouse breakout, Everything Everywhere All at Once has hit the $70M mark finally at the domestic box office with its global ticket sales now at $103M. The film from Dan Kwan and Daniel Scheinert crossed $100M a while ago. The pic previously broke records as A24’s highest grossing ever, both on a worldwide
0 Comments
A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace
0 Comments
Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
0 Comments
Dan Kwan and Daniel Scheinert’s fantasy family martial arts movie, Everything Everywhere All at Once, has officially taken over Ari Aster’s Hereditary as the highest grossing movie worldwide ever from A24, $80.9M to $80.2M. And the movie’s theatrical run is far from over, even as it hits electronic sell-through stateside. While 76% of the Michelle Yeoh-Stephanie Hsu-Ke Huy
0 Comments
The arthouse never died. If you want to keep it alive, just make more jaw-dropping, outrageous fare which can excite the 18-34 crowd. That’s the trick, and that’s what A24 did with the Dan Kwan and Daniel Scheinert directed martial arts family fantasy feature, Everything Everywhere All at Once, which by Sunday will become A24’s highest
0 Comments
For a long time, it wasn’t uncommon for distribution bosses to throw shade on one another’s success, but in the case of A24’s Everything Everywhere All at Once, there’s nothing but glee emanating from Hollywood for the New York-based indie studio’s success with the martial arts fantasy movie from Dan Kwan and Daniel Scheinert. At a
0 Comments
EXCLUSIVE: Deadline has just heard that A24 had set theatrical release dates for their fall film festival critically acclaimed titles, C’mon C’mon from Mike Mills on Nov. 19, and Sean Baker’s Red Rocket on Dec. 3. C’mon C’mon, starring Joaquin Phoenix as a radio journalist who embarks on a cross-country trip with his young nephew (Woody Norman), made its world
0 Comments
As theaters shutter and big studio films postpone wide theatrical releases, indie and arthouse films are trying their best to navigate the waters of the coronavirus outbreak. Like big banner titles, many indie films that were set to release this weekend are opting to delay their debuts, while a handful are opting for a digital
0 Comments
EXCLUSIVE: A24’s religious horror movie Saint Maud is flying from April 3 to April 10 after MGM/Eon/Universal’s No Time to Die departed this morning to Thanksgiving. Saint Maud is the second wide entry today after Dreamworks Animation’s Trolls World Tour (which was originally scheduled for April 17) to fill the vacancy left behind by Bond 25.
0 Comments
As blockbusters battled it out at the box office, the specialty space hit high notes with Judy, flew with The Peanut Butter Falcon, shined with Uncut Gems and gave us one helluva Farewell. Major box office strides were made in 2019 with fare from indie, art-house-driven distributors that delivered confident numbers, proving that audiences are craving bold and
0 Comments
As we enter the holidays Lionsgate and Bron Studios are looking to explode with the nationwide release of the Jay Roach-directed Bombshell starring Charlize Theron, Nicole Kidman and Margot Robbie. The Fox News sexual harassment drama had a stellar limited opening last weekend, earning an estimated $312,000, with a per-screen average of $78,000. As it opens today
0 Comments